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Wednesday, August 17, 2011, 6:48 AM
Lady Gaga - You And I ft. J. Calderone

MAIFAKIN GOD MAIFAKIN GOD MAIFAKIN GODDDDDD OKAY CALM YOUR BALLS, HAMIZAN. KEEP CALM






Dalam video Gaga banyak lari lari. hehe shooo cute. Nak tunjuk how kampunggggs she is, adorable


Lady Gaga alter-egoes, 'Joe Calderone' (JIZZZZZED :*)


As usual, Gaga has delivered a visual masterpiece packed with metaphors and symbolism that has enlightened some and confused many (which, let’s face it, is what art truly is). So I figured I would give my interpretation. However, the truth here is, it can be interpreted in many different ways. That’s what makes her music videos so fantastic.


The main theme of the video is obvious. Love. But more importantly, what makes love? Under what conditions can love exist? Is love something we create or is it intrinsic? Can love truly exist under change?


Firstly, here’s some tweets from the Lady herself:


“You must love all + every part of me, as must I, for this complex + incomprehensible force to be true.”


“Beware of strange oddities. The more he tries to fix me, the more magical I become.”


“Love is a Result. We bare an Unbearable Human Inability: to just ‘be.’”


“You will never find what you are looking for in love, if you don’t love yourself.”
We all know the underlining concept of this video, which Gaga revealed in an interview. She is running from New York City to Nebraska to get the güy. See what I did there? In the opening shot, we see her doing just that. Strolling down a long road, feet bloody and dirty, the indications of a true journey. Throughout the video we see many things. It’s quite a busy video. We see various science experiments being conducted by a Frankensteinesque scientist. We see Jo Calderone atop a piano being played by Gaga in a cornfield, and we also see our beloved Yüyi.


So what are all these different incarnations of Gaga? What do they represent?
Frankenstein seems to be trying to create the perfect lover. Each one he creates, he can be with intimately, but there is something missing. They are beautiful but he can’t love them. At 4:09 we see him killing one of his creations. Something he must do when he realises he has failed, he can’t let this creature go on living just as his sexual play thing, for he doesn’t want that. He wants love, and if he can’t love them he must let them go. However, he persistently tries again and again to create his soulmate. And although they all take different shapes and forms, they are all, at core, Gaga.


So what does this symbolise?


“Beware of strange oddities. The more he tries to fix me, the more magical I become.”
Frankenstein and his monsters are symbolic of someone trying to change the person they are in love with. Not accepting and loving who they are unconditionally, or even not accepting and loving who themselves are unconditionally. “You will never find what you are looking for in love, if you don’t love yourself.” The more you try to change a person, the worse things are going to get. And, as we see happening to Frankenstein, the love eventually dies. In order for love to truly exist, there must be nothing but acceptance. “You must love all + every part of me, as must I, for this complex + incomprehensible force to be true.”


This is what Gaga has come to realise, and is what has driven her to go on the long journey to get her lover back. The things happening in the barn aren’t actually happening, it’s simply symbolism of Gaga’s epiphany, and what going through her head while on the road. It’s almost as if she’s explaining to us why she is going on the journey to begin with.
Upon both Gaga and her lover (who we see as Frankenstein) realising that only under unconditional acceptance of each other as the people they are, can they be together, and for love to trüly exist. Hence, the cornfield marriage.


So, this is the miracleeeeeeeee and best thing in the world.




p/s: High resolution pic sebab aku excited. Lols. Sorry kalau buat berat kayy. -source.